Over the period of more than two decades, Wolfgang Tillmans has explored the medium of photo-imaging with greater range than any other artist of his generation. From snapshots of his friends to abstract images made in a darkroom without a camera or works made with a photocopier, he has pushed the photographic process to its outer limits in myriad ways. For this collection of photos, his fourth book with TASCHEN, Tillmans turned away from the self-reflexive exploration of the photography medium that had occupied him for several years by focusing his lens on the outside world-from London and Nottingham to Tierra del Fuego, Tasmania, Saudi Arabia, and Papua New Guinea. He describes this new phase simply as "trying out what the camera can do for me, what I can do for it." The result is a powerful and singular view of life today in diverse parts of the world, seen from many angles. Says Tillmans, "My travels are aimless as such, not looking for predetermined results, but hoping to find subject matter that in some way or other speaks about the time I'm in." The book features a fascinating conversation between the artist and Beatrix Ruf, director of Kunsthalle Zurich.

在近二十年的时期，wolfgang · Tillmans（沃尔夫冈 提尔门斯）   与同时期的其他艺术家相比，他不仅仅探讨了照片成像。从他的朋友们的快照到在暗房里没有相机或一台复印机而做出的抽象的照片，他一直在以多种方式向其外部推动摄影过程。这本照片的收集品，即他在TASCHEN出版的第四本书 。后来Tillmans转身将他几年来一直都在专注于自我拍摄到对外面世界的摄影，如从伦敦和诺丁汉到火地岛、 塔斯马尼亚岛、 沙特阿拉伯和巴布亚新几内亚。他描述了这一步是为了看到相机能够为他带来什么，他又能为相机带来什么。结果我们今天可以从很多角度看不同地区生活的奇异视图。 这本书很好的诠释了苏黎世美术馆艺术家和艺术摄影之间的精彩对话。

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